Monday, 3 August 2020

GUEST POST BY HEIDI JAMES, THE HEALING PART 1/4




The Healing
A Dramatic Series for the imagination

Written by
Heidi James



Premise

The Healing is a serialised drama that questions what the world will be like after all the men are gone. In the aftermath of a parasite epidemic that wipes out the human male population of the world, it’s left to the women to take control. It takes a period of mourning (for some) and readjustment but society begins to thrive. The environment heals, toxic patriarchy has been eradicated and with it violence and oppression in all its forms. Welcome to the utopia of The Healing, but is it all it seems?

What if your memories of your father, your brother, your husband don’t quite fit the history now being told about the innate violence of all men? What if, now the danger has passed, you wanted men back? What if you believed that a new world could be created, one where the lessons of the past had been learned, where gender no longer mattered? What if you longed for the old days? What would you do? And how would the new order respond to keep their peaceful matriarchy intact?



Location

Formerly known as America, but the new world is borderless. Green and plentiful, and with the population dramatically reduced the pressure on resources and the environment has disappeared. The world is recognisable to us, just more efficient, cooler, peaceful, and without men.

The parasite

The destruction of the environment, specifically massive overfishing, disturbed the ecosystem allowing the growth of a parasite, Wolbachia Letalis Viros, to go unchecked by the usual forces of the food chain. Harmless to females, the parasite destroyed reproductive tissues and organs in males, before causing multiple organ failure. With no cure available many men took fate into their own hands, wreaking havoc before ending their lives. When the temporary solution of taking female hormones was offered till a cure was found, for many men, including trans men, they preferred the option of dying male. A few however, joined the ranks of the surviving women, becoming un-ones. They are now the underclass.

Culture and Society

The prevailing dogma is that the world was delivered from the hell of men, and that WLVs (pronounced Wolves) liberated humanity. Nature rid herself of this plague of men, and everything is better without them, so why bring them back?
In this new world, people work and live collaboratively, freed from objectification and oppression. Free to dress, behave and love without fear. Without an aggressive capitalist ‘growth’ culture, and the use of eco technologies people spend less time working, more time with loved ones, playing and creating. Life is sweet, unless you are an un-one, the property of your female relative. Family units are often extended, though coupling up is common too.
The former culture is relegated to museums, where the art, history, film, religion and literature of patriarchy is derided and displayed to educate and warn against the dangers of masculinity. In this new world of women gender isn’t an issue.
But not everyone agrees, the Adamites, a small group of rebels led by the enigmatic Vera, believe that WLVs was a medical crisis, no different from any other plague or epidemic and that without males and traditional reproduction another natural crisis is inevitable and the future uncertain. The group is out to return the gender balance, by both providing safe haven for un-ones who want to stop taking hormones, and the conception and birth of male babies. Some of these women are older and remember men in a positive light, but a few have never lost their Christian/internal patriarchy and have taught this to their daughters, becoming another source of tension and conflict. The movement is subversive, potentially fundamental and explores love, memory and the ‘not all men’ theme. The aims of the group and the conflict it creates drives the series arc as both groups become more entrenched and divided.

Reproduction

Only females are born (initially because of the parasite, but now as an established part of culture and available technology) in the early era post-WLV children were conceived using sperm donated before the epidemic. Now, women who are ready for children – it is a joyful choice – use iPSCs (stem cells from their female partner) to create ‘sperm’ and conceive with the assistance of dedicated clinics. Parthenogenesis is outlawed in order to preserve genetic diversity.





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The cover of 'So The Doves' by Heidi James.
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